See our July-August 2008
Question of the Month- How
difficult is it to master MASKS?
A few hours ago I was busy unscrewing 18 3 inch long screws from the background I erected for the shot you see above, and I realized there was a heck of a lot of work and effort put into this project. It's easy to assume that one may only need to 'be there' to get a great shot, but often a lot of planning and work is involved as well, and this image illustrates this wonderfully.
Over the next hour, as I took apart the setup, I kept notes on all the items that were involved. Here they are:
14 3-inch deck screws | 8 2"x4"x8' lumber | 1 Heavy metal pipe |
1 1"x4"x8' lumber | 1 Base Platform made of 2x4s | 5 Cinder blocks |
1 Step ladder | 1 5'x5' Canvas background | 5 Bungi cords |
1 18 volt Electric Drill | 2 Bogen AutoPoles | 2 Bogen 11' Light stands |
6 Bogen 8' Light Stands | 4 Bogen 6' Light Stands | 4 Bogen Articulating Arms w 4 Super Clamps |
|
|
|
2 10' PC cords | 1 Quantum Super Slave | 6 Heavy Duty 12 volt Batteries |
1 roll electrical tape | 1 roll gaffer's tape | 1 Tape Measure |
1 Assistant for help in placing the background | 1 28-300mm zoom lens | 1 Camera |
Fortunately,
the barn I was using was located less than a half mile from my
home, so it was fairly convenient to drive to several times a
day to change cards or, before I purchased two monster 12 volt
batteries, to change batteries several times a day. The Olson
flash units I used are not commercially available, but fortunately
I held on to the several sets I have and they were invaluable
for supplying enough light, at a fast enough flash duration, to
stop the action. Unfortunately, the manufacturer of the Olson
Units, Ken Olson from Minnesota, is deceased and his units are
hard to find. Another product, which I loved, the Fotronix's flash
system, also used high Guide Numbers and fast flashes, but the
manufacturer of that unit stopped producing them. On the horizon
is another high speed flash system made by a team in Britain,
and I was hoping to have a system to try out in Arizona this year,
or at the NANPA conference where I gave a half-day seminar on
flash photography, but, to date, I haven't seen or tested the
units. I'm hoping to in the future, because there is a real need
for this type of flash.
Barn swallows fly like rockets, and sometimes the flashes would fire and, to my unaided eye, I couldn't tell whether or not a swallow was in the frame. It would have been completely impossible to capture these types of images without a camera-tripping device, and I used the PhotoTrap to accomplish this. I also needed to determine how far a swallow flew in the time that elapsed between the bird breaking the beam and my camera firing, and this took some vexing trial-and-error, although if I would have considered the length of time I ended up devoting to this project I would not have had to have been so impatient or rushed.
I
was very pleased with the outcome of the project -- I caught swallows
carrying feathers, mud, grass blades, strands of weeds, and plenty
of insects, back to the nest.
I believe I captured a series of images that are rather unique -- I can't think of another photographer that has this coverage of barn swallows in flight -- and I experimented with several techniques involving lights and backgrounds -- all 'in my spare time' as our limited time home this summer was also filled with Photoshop and Digital Complete Nature Photo Courses.
The techniques involved are addressed to some extent in our Digital CNPC, but our ADVANCED D-CNPC is where one would really learn everything needed to execute a similar image. Next summer, if the barn is still available, I may have this setup available for photographers as well ... but it's so unique, I honestly can't say exactly what I'll do.
More importantly, at least in the context of this Bonus Question, is that a lot of equipment was involved, and a lot of that was for supports. The actual setup took days, as I 'tweaked' my lighting, determined focus, and fine-tuned my Phototrap to get the shots I envisioned.
I hope you like them!
How difficult
is it to master MASKS?
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What is our Digital Workflow
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Why
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Is Digital Manipulation
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Does the Visibledust
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LensCoat camera, lens, and tripod covers
What Equipment
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Which Macro Lens is for You?
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the New Wimberley head worth having?
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Are Image Stabilization
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Hyperfocal Distance
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Flash and
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What is the Big Lie?
The truth about Kenya's Tourism--it is SAFE!
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attract insectivorous birds to your feeding stations and bait
sites?
How do you
make things happen in wildlife photography?
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best Car Window Mount?
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Contact us by e-mail: info@hoothollow.com