The Mara Lion Hunt
in the Masai Mara,
KENYA!
January Photo Safaris
A Very Special Safari with the focus
on Predation and, hopefully, Lions hunting Buffaloes
!
PRICES:
Safaris- - $TBA
DATE - January 2018
Exact dates to be announced
PLEASE NOTE - Prices listed our based upon 10 participants.
There will be a small surcharge has fewer than 10 participants.
See below (What's Included) for the rationale and advantages.
If you're interested in one of our safaris, contact our office ASAP!
We are offering trips based on the land cost only.
We've done this to allow our participants to either utilize air miles,
or to amass air miles with their favorite airline. Our travel agent can also book flight arrangements for you.
Simply inquire at our office for further details.
Please Note!
This is the complete brochure. It is lengthy and comprehensive, and will take a few minutes to read.
For even more information, please read any of our TRIP REPORTS which detail, day-by-day, the safaris
from that year. This will give you an excellent idea of what our trips are all about, what we see,
and perhaps most importantly, how successful these trips are!
Kenya Photo Safari Trip Reports
Click here if you'd like to
order our Photographing on Safari video, to General photo safaris information.
The cost for the special trip to the Mara is USD $TBA with a single supplement of USD $TBA
Please note that this price is based on 10+ participants. If we get less than 10 people, there will be a surcharge of USD $700. Thank you for your understanding on this business matter.
With the main migratory herds in the southern part of the Serengeti, the predators of the Mara have a little tougher time. Instead of photographing lions on their backs with full bellies, we hope to photograph them actively hunting. If you’ll remember from our adventures many years ago, it was at this time of the year when we photographed the Magnificent Seven (a coalition of 7 male lions) killing a bull buffalo. It was dramatic and quite a few rolls of film were shot in a 30-minute time frame. We hope to accomplish something like that again this time, but this time we’ll be shooting digital!!!!
But don’t worry, just as we do on our fall photo safaris, we will photograph everything that comes along so you will end up with a fairly complete portfolio of African mammals and birds.
What we have to offer that is so Unique
My wife, Mary Ann, and I have been leading Photo Safaris to Kenya for over twenty years, and to many other locations in Africa during that time span. We were the first to institute using radios for vehicle-to-vehicle communication, the first to restrict vehicles to just three photographers per vehicle, and the first to fine-tune an itinerary that is copied by most photo safari. More importantly, WE KNOW AFRICA, we know how to photograph it, what to look for, and how to get the best a situation has to offer, both for ourselves and, most importantly, for the participants that travel with us.
If you look at any of the Trip Reports listed on our Trip and Scouting Report page or at the links provided earlier in this brochure, you'll get a great idea of the type of trips we do. I cannot stress enough how important experience is when leading a photo safari. We know what to look for, what to listen for, and what to expect, and this translates into imagery that is not simply a matter of luck -- though luck plays an important role, and one can make one's own luck. The topics addressed below should answer virtually all of your questions, and I hope you'll take the time to read them.
And, although this is addressed later on in this brochure, I'd like to stress again here that our trips are not for everyone. They are not 'tourist safaris' where the goal is to simply have you check off the different animals. We invest quality time with our subjects, and although we might spend hours with some subjects, when the potential warrants it, our participants still end up seeing everything, but seeing many things with absolute quality. The Trip Reports cited will prove those points.
I do not believe anyone can offer you a better safari. We know Africa, we know how to make a safari run smoothly, and we know the wildlife. If you are interested in obtaining quality photographs, in seeing wildlife in-depth, in watching behavior, and witnessing truly once-in-a-lifetime wildlife opportunities, then our safaris are for you.
Why January?
In a typical year, sometime in June the massive herds of gnus and zebras stream in from the Serengeti, and for the next several months the living is high for the Mara's predators. Most mornings, from June to November, one has a great likelihood of finding a pride of lions dining upon a zebra or gnu killed in the predawn hours. Finding a cat actually hunting is far more difficult, as prey is simply too common and too easy to kill at night for most lions to be hunting during the day. It happens, of course, and we've seen many kills, but it is far more common to simply see lions feeding.
In January and February, however, the situation changes dramatically as the vast herds of gnus and zebras have returned to the Serengeti where the herbivores breed. The Mara's lions do not migrate with the herds, however, and the resident lions and their prides, occupying permanent territores, are forced to hunt for whatever prey remains, whenever it appears.
Consequently, lions hunt at any time of day and hunt virtually anything that comes by. One of their principle prey items at this time is the African Buffalo, or Cape Buffalo, which remain in the Mara after the herds depart. Our hope is to witness a lion/buffalo hunt and kill, but even if we miss that we should see plenty of activity and hunts, whether they are successful or not!
The other predators are present as well, including cheetahs, leopards, and hungy, aggressive Spotted Hyenas that also maintain their permanent territories and must hunt, or fight over prey, whenever the opportunity arises. Although the large herds of gnus and zebras should be absent, all of the other Masai Mara animals should be present, so we should have a diverse and productive shoot with the tantalizing prospect of filming incredible action with the predators.
Some Highlights:
Predatory Action in the Mara - We are hoping to encounter lions actively hunting, and their prey could include African buffalo, Masai giraffe, topi, warthogs, and even a young elephant. If we're patient, and our groups usually are, we'll have a great chance of seeing a cheetah hunt and kill. While we should see leopards, encountering one while it is hunting is rare, and even though the herds will be gone this consummate predator will have no trouble catching its usual prey.
Baby Predators in the Mara - We usually get lion cubs and cheetah cubs. Let's hope.
The Usual Stars - of course, we'll also be photographing all the mammals we normally encounter, which include leopards, cheetahs, elephants, hyenas, the hoofed animals, and the birds in the Mara.
Read on for a more thorough description of the three main areas of shooting.
Featuring the Three Best Photographic Locations in the Masai Mara
The Masai Mara is considered part of the famous Serengeti ecosystem, but differs in offering a variety of habitats. Within a morning's game drive one can film short grass high country, tall grass prairie, riverine forests and thickets, and acacia thorn scrubland. Elephants, hippos, Masai giraffe, common zebra, gnu, impala, Thompson's and Grant's gazelles, topi, hartebeest, hyrax, black-backed jackal, spotted hyena, cheetah, leopard, and lion are permanent, and fairly common, residents within the park. There's also several less common species of antelope, including reedbuck, bushbuck, steinbuck, oribi, and duiker, that we normally encounter.
The very endangered black rhino has made its last stand in the Mara here. We've had luck on many of our trips finding rhinos with calves, and we'll hope to do so again this year. Additionally, serval (a small spotted cat) are most easily found here, and in the scattered acacia trees leopards hang their carcasses out of reach of the many lions. Consequently, it's easiest to find tree-climbing leopards here.
The Mara, however, is diverse, and it is impossible to do the Park justice by basing out of only one lodge. To cover the park thoroughly we'll be based out of three different lodges. In the extreme south we'll stay at Keekorok, covering the area from the Talek and Sekanani gates southward to the border of Tanzania and the Serengeti National Park. We'll stay at Mara Serena Lodge, covering the Mara Triangle and southwestern corner; and in the northern section we'll stay at Mara Intrepids, covering the area from the Musiara Marsh to the Talek River including Rhino Ridge and Paradise Plains.
Located in the heart of the Mara-Serengeti ecosystem, Keekorok is the oldest lodge in the park. You get the sense of staying in one of the vintage hunting lodges while sipping your cocktail before dinner. The very endangered black rhino has made its last stand in the Mara here and we have a great chance of photographing one amidst the croton bush thickets. In the absence of Maasai persecution, the lions and hyenas are active during the day.
Mara Serena is probably the most beautiful lodge in the Mara, overlooking the Paradise Plains and a large stretch of the Mara River. From the lodge one can usually see a variety of the plain's game, and the lodge may be the premiere location for filming bush hyrax in all of Kenya. These small, marmot-sized mammals are tame, beg for food, bite - if you try petting them or feeding them, and even hops on to your lap (not recommended!). Additionally, 
serval (a small spotted cat) is most easily found here. The prime crossing points for wildebeest are within a short drive of the lodge, and we've often been delayed for lunch when a herd suddenly gathered along the river to cross.
Mara Intrepids, located along the Talek River just south of Rhino Ridge, has become our favorite camp of choice. The five-mile stretch of river just north of the lodge is abundant with leopard. There is a pride of lion just out of camp that are dominated by three of the most beautiful black-maned lions that we have ever seen. Princess, the famous cheetah from the BBC Big Cat Diary Series, makes her home in this area. This is the cheetah that loves to jump up on vehicles to lie for a spell or to use the higher vantage point in which to hunt from. The camp is surrounded by an electrical fence, which helps to keep out the wild neighbors. But there is nothing like lying in your tent at night and listening to the roar of a lion or the whoop of a hyena or the rumble of a fight between the two predators. That is the true Africa!
Who Is This Safari For?
This safari is really for anyone who is serious, either about wildlife and nature photography, or about in-depth, intense, and patient animal viewing. The two, for a photographer, are the same, for patience, time, and luck are required in order to obtain great wildlife images. Please read the following section carefully. While almost everyone who travels with us are like-minded, there are, on occasion, one or two people who are not. This is not a safari for tourists. This is a safari for photographers - serious amateurs or photo enthusiasts or pros, and for those who really want to do a safari right.
Actually, it probably really doesn't matter to us if you bring a camera or not, or if you do not have long telephoto lenses or professional gear along. That is, provided you are patient, willing to wait, and, above all, considerate to those photographers who do have gear that requires a rock-steady van when they're about to shoot. Patience, to a wildlife photographer, is NOT a relative term. Patience may not be a five-minute wait. It may mean waiting an hour before a cheetah and her cubs decide to move from a croton thicket, or before a den full of hyena cubs wake up and begin to play. We have literally waited for four or five hours for a wildebeest river crossing, and in 1999 all four of our vans stayed, parked in one position, all day -- from 7AM to 4PM -- to watch Zawadi (the famous Mara leopard) and her two cubs (her first) play, nurse, and walk about us. Photographers, avid naturalists, artists, and others who are serious about wildlife have no problem with this. You might.
We want to make this clear. Great shots often require patience. If you simply want to see animals, click off a few pictures, and move on to another subject, then our safari is not for you. You might worry that 'spending time' waiting is wasteful, and that your time would be better spent roaming and looking for new subjects. Let me assure you that in the course of a two-week trip you will indeed see everything, but some subjects, that require waiting, will reward you with extraordinary images for your patience. In other words, you'll see everything the normal tourist sees (or the impatient photographer), but you'll also see, with quality, other subjects, events, or activities that most simply do not see because they do not have the patience to wait. We do.
For example, even our extremely experienced Kenya safari driver/guides have seen things with us that they have never seen before - and these are guides who, collectively, have over forty years driving experience. This has included such experiences as a zebra stallion killing a foal; a zebra giving birth; lions killing a bull buffalo; elephants, en masse, wrestling in the river; a leopard killing a wildebeest, or a warthog; ostriches hatching from eggs; lions pulling a warthog from its den; and much, much more. Why? I asked our drives this, and they said, 'because your groups stay and watch. Most groups do not, and only spend enough time to make some pictures.' They miss these unique events, and so, obviously, had the drivers.
That said, we try not to be tyrants about this. We realize everyone has their own patience and frustration level, and perhaps their own desire to shoot particular subjects. One of the values of traveling with us is we can guide you, by stating our belief whether we feel something is worth waiting for, or not. Our rule is this: If you don't wish to stay, you can leave, provided everyone in your vehicle agrees on this, or if at least three in total from all of the vehicles agree to leave, whereupon we'll rearrange seating to allow those people to return to camp or continue on their way. We have, on many occasions, put three or four people into a van to head back to camp for lunch while the die-hards stayed behind, waiting for the cheetah to make its kill or for the wildebeest to cross the Mara river. In most instances, the cheetah killed, and the wildebeest crossed, right after the other van left!
To be honest, I think photographers would get the most out of this trip. Non-photographers might feel frustrated in not being able to produce images that others can; but that thought alone may be motivation for you to buy a telephoto lens and camera before doing the trip. I'd recommend doing so. Artists can benefit from our type of safari as well. If we're waiting for cheetahs to hunt, or for lions to resume mating, there's usually time to do field sketches or character studies. However, if you are an artist, don't be upset if your vehicle moves while you're still drawing! This is, FIRST AND FOREMOST, a photography trip, and the photographers have the final say.
However, the trip is exclusive in a number of special ways. We were the first to offer safaris that are limited to only three photographers per nine-passenger landrover. Our safaris are unique in some important ways, too. We do not assign people to one 'rover for the entire trip. Instead, we rotate everyone through our four vehicles so that everyone has a chance to shoot with each other (avoiding trip-damaging cliques) and to shoot with both Mary and me.
Our rotation system gives everyone equal time with Mary and with me, and as we 'captain' our respective vans you can be assured that we'll do our best to put you in the best shooting situation as we read the light, determine animal behavior, or just simply look after you for the shots you're seeking but have not yet achieved. Make no mistake: Mary and I are here to work. I joke that when you're with me you'll get the best photos, and Mary says the same thing. The point is, we're not going through the motions here. We're out to make the best photographs we can, and you'll get those same images when you're with us. That's not to say that when you're not with us you won't do well -- this isn't a zoo, and you might see something we don't, but what we are saying is we're always trying to make the best images for our clients and for ourselves.
Consider this, too. Mary and I have seen dozens of cheetah kills, and scores of wildebeest river crossings. In truth, we probably have our best river crossing shots already in file. But YOU DON'T, and we realize this, and that's why we urge you to be patient, to wait, and to see the wonderful things that we have, in fact, already seen. But we also know that each kill is different, each river crossing is different, and that any event in nature has the absolute potential of unfolding into the greatest spectacle we've ever seen. So, remember, when you are in our care, we are looking out for you, we're trying to get you the best shots possible, and we are willing to put in the time for these events to occur. You should be, too.
Are you willing to eat a modest picnic breakfast afield rather than return to camp for a big cooked breakfast? If you answer this question with a Yes, then this trip will be for you and you'll fit in with the type of gung-ho photographer we attract. Are you willing to eat the leftovers from breakfast, or your 'emergency' Granola bars, for lunch instead of returning to camp to eat a cooked lunch if the shooting requires this? On an average we generally miss ONE lunch because of a hunting cheetah. On an average 3 of 4 vehicles stay and wait. 1 out of 4 vehicles generally leaves, sometimes composed of impatient folks scattered through the four vehicles.
Regarding breakfasts, we always eat a picnic breakfast in the Masai Mara. It doesn't make sense to return from the field while the light is still great just to eat. Instead, whenever we have a lull in activity, we park our vans and grab breakfast then. As stated above, normally we do not stay out all day, although if something is very good, or promising, we will. That means that sometimes we'll miss lunch (or we'll come in for a very late lunch), and for that reason we advise people to pack candy or granola bars for a quick snack. We usually do return for lunch, however, since at high noon the light is high and extremely contrasty and almost all animal activity ceases in the hottest hours. However, if you're concerned about eating the meals you paid for, and of sleeping in when you wish, then I don't think our trips will be for you. With us, photography comes first. Especially with the heat of Samburu, we're usually in by 11:30AM, although on cloudy days, or when there was extraordinary action, we've come in closer to 1PM.
Our ten person safari with three per nine passenger vehicle is radically different from the typical 15-20 person safari crammed with five to nine passengers to a van or a tour 'limited' to twenty or more people. For that reason this safari is naturally more expensive, but in reality it's not that much more. Please, just ask yourself what your objective is: Is it to see Kenya and to take snapshots, or to be on a special photo safari designed to provide the best shooting opportunities possible. If your answer is the latter, then this safari is for you.
What You Can Expect from Us
If you've been to Kenya before you know the answer to that! If not, you can expect the best, most exciting wildlife photography possible on this planet. I liken Kenya to doing a shoot combining the best of three great US destinations -- Denali, Yellowstone, and the Everglades, for there are large mammals, birds, and scenics, all possible in one locale the size of Texas, and we'll be concentrating on one very small portion of that area.
We will prepare you photographically. I've written a shooting guide to Kenya that you can use as a handbook or reference when considering composition and exposure for most of your shooting subjects. Prior to the trip we'll provide you with our own recommendations on the gear to bring and, on safari, we'll provide thorough briefings on the subjects we expect to film and how to do so. We have a video as well, that describes the camps, the food, the shooting arrangements with the vehicles, and also provides important information on the natural history of most of the subjects you'll see, as well as our photographic tips for these subjects. You can order the video directly from our office.
Finally, in the field you'll be with either Mary or myself on an average of two out of every three game drives. As I mentioned earlier, we'll do our best to get you the best shots possible, and we'll be able to provide you with our suggestions on composition and exposure and, perhaps most importantly, on what we expect to happen and where we should be. Knowing animal behavior is a real plus, if not a key to successful wildlife shooting, and our experience, and that of our fantastic Kenyan driver/guides, will insure we have the best chance at obtaining great images.
Hopefully, too, you can expect great images of:
The Leopard: Leopards are elusive, solitary creatures. Surprisingly common, they are difficult to see, well-camouflaged, shy, and retiring. They are the trophy of any safari, and the hardest cat to film. I've never missed with leopard, in FIFTY trips, but I'm always worried, and we work hard to get this cat!
The Cheetah: Spotted, elegant, and surprisingly tame, this cat of the open grasslands is the easiest to film, once encountered. We'll spend approximately half the trip in the best locale in Kenya (the Masai Mara) for cheetahs, and we'll have an excellent chance of filming this, the fastest land animal in the world. Filming it hunting, however, will require luck and patience, although we should have the opportunity to do exactly that. Hunting cheetahs require patience, and this is the day we often miss lunch.
The Lion: The king of beasts appears to be anything but as it sleeps beneath an acacia. Stare into a male's eyes, or watch one snarl, or half-rise as if to charge, and you'll quickly understand how and why the lion got its title. Lions are easy to see, and in the Mara they can be surprisingly common. Photographing lions in action, however, is quite different from the sleepy views most tourists see. We'll be out early to catch any dawn hunts, and staying with a pride if hunting activity looks promising.
Rhinos: The only chance for this endangered species is in the Mara, and at two of our lodges we'll be in prime rhino country. We're usually very successful!
Elephants: The Masai Mara has very healthy elephant populations. In the Mara, elephants are common and easy to find; and make for wonderful, animated subjects.
Lesser Predators and the Herbivores: Typically, we also have great luck with hyenas, black-backed jackals, side-striped jackals, serval cats, and bat-eared foxes. We usually photograph two different primates - olive baboons and vervet monkeys and virtually all the herbivores - elephants, buffalo, zebras, antelope, hippos, warthog, etc. We typically have luck with some of the less common species, too, like steinbok, oribi, and klipspringer, but these, among the antelopes, are the real trophies and are not a 'given.'
Why we have such great success...
We'll have a wide variety of animals and birds available at our three destinations. With radios in each of the vehicles our groups can game drive independently, but can meet whenever a great subject is seen. Unlike many other tours our vehicles often game drive separately, fanning out to cover the largest area possible. In this way, when one of our vehicles spots a leopard, or cheetah, or baby elephant, or similarly great subject, everyone has the opportunity to photograph that subject, too.
We are also the only safari operators who rotate our participants in a fair basis throughout all the vehicles so that you see and work with all the driver/guides, the other participants, and with Mary and I. Our rotation -- done for both morning and afternoon game drives -- insures that you see Mary and I an equal number of times (we feel that you will get your best shots when you are with us, an ego thing, sure, but we know what we're doing!), an equal number of times with the various driver/guides, and as diverse a rotation as can be accomplished in being with the other participants on the trip. In this way our groups become tightly knit into one big happy family, and, if there is a possible 'lemon' in our midst, no one is stuck or assigned to that group for the entire trip!
What's Included
The photo safari price is based on land costs from Nairobi and includes all accommodations (double occupancy), all meals except lunch in Nairobi, park entrance fees, and ground transportation, including our exclusive three photographers per van safari vehicles. A single rooming supplement is available at an additional cost.
Surcharge for fewer than 10 Participants
Our safari price is based upon 10 photography participants, filling the vehicles with three photographers per vehicle. While there is a surcharge if the trip doesn't fill, there is a tremendous advantage for YOU, the participant, as there will only be two photographers in these vehicles. You'll still have the benefits of our expertise when you rotate into our vehicle, but on game drives that you're not with Mary or me you have a good chance of having almost a private vehicle!
Our lodging varies from permanent tented camps to normal tourist lodges. Tented camps are permanent structures, more like a hotel room under canvas, with flush toilet, running water, and shower inside each tent. Excellent cooks prepare food and most meals have a European/British influence. You won't be eating fresh killed zebra or eggs over a campfire! Drinks are not included, but they are inexpensive.
The price does not include the driver/guide's tip, which is usually about $225/person. That, by the way, is a very good tip, and I know that we provide our guides with one of the very best tips they receive each year. But consider this: Many safaris cram six to nine people in one van, and in tipping small amounts, end up nearly equaling our tip. Far more importantly, however, is the fact that our driver/guides are the best, experts at animal behavior and, from working with me for years, quite adept at putting us into the best spots for great pictures. I use the same guides each year and they know how I work and what's expected of them. They're good, and I like to reward them for their efforts.
My Objective
You should return with the best photographs of wildlife you've ever taken. This doesn't come easily; it requires early starts, patience, and a degree of luck. I believe any photographer traveling to Kenya wants this, and that they're more interested in filming game than they are in lounging at a pool or in having a leisurely cooked breakfast during the best shooting time of the day!
Our field days (excepting travel) start before dawn so that we can greet the sunrise with our lenses. We'll have modest boxed picnic breakfasts on most field days, since this saves time and allows us to travel anywhere without having to worry about returning for a breakfast. Lunches and dinners are at camp, and, with the quantity of food available, I doubt if you'll miss the cooked breakfast. We may, however, occasionally miss lunch if a subject is so good that to leave it would be silly. That doesn't happen often, and if we decide to do so, we do it by group consensus. I'll tell you, when the vote comes up, when such a situation arises, people always look at me as if I'm crazy for even asking them if they wish to leave! Nonetheless, if at least three people (from x number of vans) wish to leave at any time, they are welcome to do so. We will not do so for only two, however. Our rule is three photographers per van, so three is the magic number.
We will stay with a subject as long as it's necessary to get great photos, provided the goal is realistic. Some animals require only a minute of work for a great snap-shot like opportunity that still provides a great image. Others require work, and we've stayed with hunting cheetahs, cheetahs with cubs, lions and leopards with kills or hunting, mating leopards, hunting wild dogs, or wildebeest bunching up at a river for a crossing, for hours (or for an entire day). Don't be afraid that by doing this you'll miss other shots. I've done enough of these (this will be my 20th year of doing Kenya safaris) that I know what's good, what's worth our time, and where our priorities should lie in giving you not only unique, wonderful images, but also full coverage of everything you wanted to film. You will amass a wonderful portfolio of all your Kenyan wildlife, but you won't be producing traditional boring tourist shots. We'll try to get you great images -- magic material! Although we won't be consciously amassing a species list, you'll undoubtedly see as many, if not even more, species of wildlife by doing it this way than you would by being a 'tourist,' since we'll be in the field longer, looking, watching, and filming.
Our Roles as Leaders, and Your Role
Mary and I know Kenya, its wildlife, and how to photograph it. I want everyone to obtain great photographs, and to enjoy himself or herself while doing so. Great photography requires patience, luck, and time, plus a degree of skill that my drivers/guides and Mary and I can provide. You can trust us that everything we do as your trip leaders will have those priorities - your photos and well-being as an individual in our group -- in mind.
Don't expect me to compromise the group for you, whether that's for tardiness, forgetfulness, or otherwise. We won't. We're upfront about our time, field breakfasts, tenacity and seriousness, and we want our people to know this. If you join us, that's what you're getting into. I think some people join a group and expect it to conform to their individual demands. We won't do that. If you like to travel privately, or to 'run the show,' or to make selfish demands, we'd suggest you go alone.
Frankly, about 1 out of about every 30 people objects to our schedule. Although we're completely upfront with our objectives and those for our group, some people lack patience. Unfortunately, rather than sitting out a game drive if they're tired, or leaving and going for 'something else,' they stay, because we are staying, yet they resent doing so. We urge people to leave if they so choose, but our role, as guides, is to guide you, and to hang in there with us if we feel it is worth it. Honestly, if you're not serious about photographing or you know that you're not patient, please don't travel with us!
Foreign travel is exciting, but it can be exhausting for some. You very well may need to sit out a game drive and relax one day, and if you feel this way, please do so. We press fairly hard, but we do so because we know that many in the group have high-energy reserves, limited budgets, and inexhaustible enthusiasm, and these folks want as much out of the experience as they can get. We aim to deliver that. Rest if you need to, and wish those that don't the best of luck as they do the game drive you missed. By the way, if you feel you must miss a drive, skip the afternoon drive. Morning drives are usually, but not always, the most productive. By the way, we usually have one person/per safari miss one game drive to rest.
About Your Leaders
My wife Mary Ann and I strive to provide the most comfortable and thorough safari you will experience. Both Mary and I are photographers, and I'd hope you've seen our credits. These included Audubon, National Geographic, National Wildlife, Ranger Rick, Natural History, Living Bird, Birder's World, Wildlife Conservation, and most nature/wildlife calendars.
In 1994 Mary Ann won two first place awards in the prestigious BBC Wildlife Photographer of the Year competition, in Endangered Species and in Bird Behavior. In 1998 she had three highly commended images published in the BBC competition, ALL THREE from Kenya! She won first place in the Cemex/Nature's Best photo contest in the Humor Division for Professional Photographers. In 2003 she won first place in Mammal Behavior in the Agfa All Africa photo competition with a dust bathing bull elephant from Samburu. Mary has written a number of children's books, including Leopards, Grizzly Bears, Woodpeckers, Flying Squirrels, Sunflowers, Cobras, Jupiter, Boas, Garter Snakes, Pythons, Rattlesnakes, Ducks, Chickens, Horses, and Cows, and a coffee table book, Out of the Past, Amish Tradition and Faith.
I've written several how-to wildlife photography books -- A Practical Guide to Photographing American Wildlife, The Wildlife Photographer's Field Manual, The Complete Guide to Wildlife Photography, Designing Wildlife Photographs, Photographing on Safari, A Field Guide to Photographing in East Africa, and The New Complete Guide to Wildlife Photography. In 1999 Todtri published African Wildlife, and in 1999 we produced our first instructional video, A Video Guide to Photographing on Safari with Joe and Mary Ann McDonald. The video has received rave reviews, and it is the definitive guide for preparing yourself for a safari. I've won several times for highly commended images in both the Cemex/Nature's Best and the Agfa all Africa photo competitions. In 2003 I won 2nd place in the World in Our Hands category in the BBC competition with an image from Africa.
Mary and I were featured in the book, the World's Best Wildlife Photographers, and we write regularly appearing columns in Outdoor Photographer magazine and in several web magazines. Our latest book, Digital Nature Photography, From Capture to Output, is a PDF file that covers EVERYTHING you need to know about digital nature photography, including workflow, file management, RAW conversion, and maximizing the digital image. It is available directly through our office.
For some real insight into all aspects of a photo safari,
order our DVD Photographing on Safari
which covers and illustrates various camps,
how to shoot from the vehicles, what to pack,
and most importantly, what you'll photograph
and how you'll do so.
Scroll through a Kenya Portfolio
Contact us by e-mail. at: info@hoothollow.com
Or Call or FAX us at: (717) 543-6423
The Mara Lion Hunt
in the Masai Mara,
KENYA!
January Photo Safaris
A Very Special Safari with the focus
on Predation and, hopefully, Lions hunting Buffaloes
!
PRICES:
Safaris- - $TBA
DATE - January 2018
Exact dates to be announced
PLEASE NOTE - Prices listed our based upon 10 participants.
There will be a small surcharge has fewer than 10 participants.
See below (What's Included) for the rationale and advantages.
If you're interested in one of our safaris, contact our office ASAP!
We are offering trips based on the land cost only.
We've done this to allow our participants to either utilize air miles,
or to amass air miles with their favorite airline. Our travel agent can also book flight arrangements for you.
Simply inquire at our office for further details.
Please Note!
This is the complete brochure. It is lengthy and comprehensive, and will take a few minutes to read.
For even more information, please read any of our TRIP REPORTS which detail, day-by-day, the safaris
from that year. This will give you an excellent idea of what our trips are all about, what we see,
and perhaps most importantly, how successful these trips are!
Kenya Photo Safari Trip Reports
Click here if you'd like to
order our Photographing on Safari video, to General photo safaris information.
The cost for the special trip to the Mara is USD $TBA with a single supplement of USD $TBA
Please note that this price is based on 10+ participants. If we get less than 10 people, there will be a surcharge of USD $700. Thank you for your understanding on this business matter.
With the main migratory herds in the southern part of the Serengeti, the predators of the Mara have a little tougher time. Instead of photographing lions on their backs with full bellies, we hope to photograph them actively hunting. If you’ll remember from our adventures many years ago, it was at this time of the year when we photographed the Magnificent Seven (a coalition of 7 male lions) killing a bull buffalo. It was dramatic and quite a few rolls of film were shot in a 30-minute time frame. We hope to accomplish something like that again this time, but this time we’ll be shooting digital!!!!
But don’t worry, just as we do on our fall photo safaris, we will photograph everything that comes along so you will end up with a fairly complete portfolio of African mammals and birds.
What we have to offer that is so Unique
My wife, Mary Ann, and I have been leading Photo Safaris to Kenya for over twenty years, and to many other locations in Africa during that time span. We were the first to institute using radios for vehicle-to-vehicle communication, the first to restrict vehicles to just three photographers per vehicle, and the first to fine-tune an itinerary that is copied by most photo safari. More importantly, WE KNOW AFRICA, we know how to photograph it, what to look for, and how to get the best a situation has to offer, both for ourselves and, most importantly, for the participants that travel with us.
If you look at any of the Trip Reports listed on our Trip and Scouting Report page or at the links provided earlier in this brochure, you'll get a great idea of the type of trips we do. I cannot stress enough how important experience is when leading a photo safari. We know what to look for, what to listen for, and what to expect, and this translates into imagery that is not simply a matter of luck -- though luck plays an important role, and one can make one's own luck. The topics addressed below should answer virtually all of your questions, and I hope you'll take the time to read them.
And, although this is addressed later on in this brochure, I'd like to stress again here that our trips are not for everyone. They are not 'tourist safaris' where the goal is to simply have you check off the different animals. We invest quality time with our subjects, and although we might spend hours with some subjects, when the potential warrants it, our participants still end up seeing everything, but seeing many things with absolute quality. The Trip Reports cited will prove those points.
I do not believe anyone can offer you a better safari. We know Africa, we know how to make a safari run smoothly, and we know the wildlife. If you are interested in obtaining quality photographs, in seeing wildlife in-depth, in watching behavior, and witnessing truly once-in-a-lifetime wildlife opportunities, then our safaris are for you.
Why January?
In a typical year, sometime in June the massive herds of gnus and zebras stream in from the Serengeti, and for the next several months the living is high for the Mara's predators. Most mornings, from June to November, one has a great likelihood of finding a pride of lions dining upon a zebra or gnu killed in the predawn hours. Finding a cat actually hunting is far more difficult, as prey is simply too common and too easy to kill at night for most lions to be hunting during the day. It happens, of course, and we've seen many kills, but it is far more common to simply see lions feeding.
In January and February, however, the situation changes dramatically as the vast herds of gnus and zebras have returned to the Serengeti where the herbivores breed. The Mara's lions do not migrate with the herds, however, and the resident lions and their prides, occupying permanent territores, are forced to hunt for whatever prey remains, whenever it appears.
Consequently, lions hunt at any time of day and hunt virtually anything that comes by. One of their principle prey items at this time is the African Buffalo, or Cape Buffalo, which remain in the Mara after the herds depart. Our hope is to witness a lion/buffalo hunt and kill, but even if we miss that we should see plenty of activity and hunts, whether they are successful or not!
The other predators are present as well, including cheetahs, leopards, and hungy, aggressive Spotted Hyenas that also maintain their permanent territories and must hunt, or fight over prey, whenever the opportunity arises. Although the large herds of gnus and zebras should be absent, all of the other Masai Mara animals should be present, so we should have a diverse and productive shoot with the tantalizing prospect of filming incredible action with the predators.
Some Highlights:
Predatory Action in the Mara - We are hoping to encounter lions actively hunting, and their prey could include African buffalo, Masai giraffe, topi, warthogs, and even a young elephant. If we're patient, and our groups usually are, we'll have a great chance of seeing a cheetah hunt and kill. While we should see leopards, encountering one while it is hunting is rare, and even though the herds will be gone this consummate predator will have no trouble catching its usual prey.
Baby Predators in the Mara - We usually get lion cubs and cheetah cubs. Let's hope.
The Usual Stars - of course, we'll also be photographing all the mammals we normally encounter, which include leopards, cheetahs, elephants, hyenas, the hoofed animals, and the birds in the Mara.
Read on for a more thorough description of the three main areas of shooting.
Featuring the Three Best Photographic Locations in the Masai Mara
The Masai Mara is considered part of the famous Serengeti ecosystem, but differs in offering a variety of habitats. Within a morning's game drive one can film short grass high country, tall grass prairie, riverine forests and thickets, and acacia thorn scrubland. Elephants, hippos, Masai giraffe, common zebra, gnu, impala, Thompson's and Grant's gazelles, topi, hartebeest, hyrax, black-backed jackal, spotted hyena, cheetah, leopard, and lion are permanent, and fairly common, residents within the park. There's also several less common species of antelope, including reedbuck, bushbuck, steinbuck, oribi, and duiker, that we normally encounter.
The very endangered black rhino has made its last stand in the Mara here. We've had luck on many of our trips finding rhinos with calves, and we'll hope to do so again this year. Additionally, serval (a small spotted cat) are most easily found here, and in the scattered acacia trees leopards hang their carcasses out of reach of the many lions. Consequently, it's easiest to find tree-climbing leopards here.
The Mara, however, is diverse, and it is impossible to do the Park justice by basing out of only one lodge. To cover the park thoroughly we'll be based out of three different lodges. In the extreme south we'll stay at Keekorok, covering the area from the Talek and Sekanani gates southward to the border of Tanzania and the Serengeti National Park. We'll stay at Mara Serena Lodge, covering the Mara Triangle and southwestern corner; and in the northern section we'll stay at Mara Intrepids, covering the area from the Musiara Marsh to the Talek River including Rhino Ridge and Paradise Plains.
Located in the heart of the Mara-Serengeti ecosystem, Keekorok is the oldest lodge in the park. You get the sense of staying in one of the vintage hunting lodges while sipping your cocktail before dinner. The very endangered black rhino has made its last stand in the Mara here and we have a great chance of photographing one amidst the croton bush thickets. In the absence of Maasai persecution, the lions and hyenas are active during the day.
Mara Serena is probably the most beautiful lodge in the Mara, overlooking the Paradise Plains and a large stretch of the Mara River. From the lodge one can usually see a variety of the plain's game, and the lodge may be the premiere location for filming bush hyrax in all of Kenya. These small, marmot-sized mammals are tame, beg for food, bite - if you try petting them or feeding them, and even hops on to your lap (not recommended!). Additionally, serval (a small spotted cat) is most easily found here. The prime crossing points for wildebeest are within a short drive of the lodge, and we've often been delayed for lunch when a herd suddenly gathered along the river to cross.
Mara Intrepids, located along the Talek River just south of Rhino Ridge, has become our favorite camp of choice. The five-mile stretch of river just north of the lodge is abundant with leopard. There is a pride of lion just out of camp that are dominated by three of the most beautiful black-maned lions that we have ever seen. Princess, the famous cheetah from the BBC Big Cat Diary Series, makes her home in this area. This is the cheetah that loves to jump up on vehicles to lie for a spell or to use the higher vantage point in which to hunt from. The camp is surrounded by an electrical fence, which helps to keep out the wild neighbors. But there is nothing like lying in your tent at night and listening to the roar of a lion or the whoop of a hyena or the rumble of a fight between the two predators. That is the true Africa!
Who Is This Safari For?
This safari is really for anyone who is serious, either about wildlife and nature photography, or about in-depth, intense, and patient animal viewing. The two, for a photographer, are the same, for patience, time, and luck are required in order to obtain great wildlife images. Please read the following section carefully. While almost everyone who travels with us are like-minded, there are, on occasion, one or two people who are not. This is not a safari for tourists. This is a safari for photographers - serious amateurs or photo enthusiasts or pros, and for those who really want to do a safari right.
Actually, it probably really doesn't matter to us if you bring a camera or not, or if you do not have long telephoto lenses or professional gear along. That is, provided you are patient, willing to wait, and, above all, considerate to those photographers who do have gear that requires a rock-steady van when they're about to shoot. Patience, to a wildlife photographer, is NOT a relative term. Patience may not be a five-minute wait. It may mean waiting an hour before a cheetah and her cubs decide to move from a croton thicket, or before a den full of hyena cubs wake up and begin to play. We have literally waited for four or five hours for a wildebeest river crossing, and in 1999 all four of our vans stayed, parked in one position, all day -- from 7AM to 4PM -- to watch Zawadi (the famous Mara leopard) and her two cubs (her first) play, nurse, and walk about us. Photographers, avid naturalists, artists, and others who are serious about wildlife have no problem with this. You might.
We want to make this clear. Great shots often require patience. If you simply want to see animals, click off a few pictures, and move on to another subject, then our safari is not for you. You might worry that 'spending time' waiting is wasteful, and that your time would be better spent roaming and looking for new subjects. Let me assure you that in the course of a two-week trip you will indeed see everything, but some subjects, that require waiting, will reward you with extraordinary images for your patience. In other words, you'll see everything the normal tourist sees (or the impatient photographer), but you'll also see, with quality, other subjects, events, or activities that most simply do not see because they do not have the patience to wait. We do.
For example, even our extremely experienced Kenya safari driver/guides have seen things with us that they have never seen before - and these are guides who, collectively, have over forty years driving experience. This has included such experiences as a zebra stallion killing a foal; a zebra giving birth; lions killing a bull buffalo; elephants, en masse, wrestling in the river; a leopard killing a wildebeest, or a warthog; ostriches hatching from eggs; lions pulling a warthog from its den; and much, much more. Why? I asked our drives this, and they said, 'because your groups stay and watch. Most groups do not, and only spend enough time to make some pictures.' They miss these unique events, and so, obviously, had the drivers.
That said, we try not to be tyrants about this. We realize everyone has their own patience and frustration level, and perhaps their own desire to shoot particular subjects. One of the values of traveling with us is we can guide you, by stating our belief whether we feel something is worth waiting for, or not. Our rule is this: If you don't wish to stay, you can leave, provided everyone in your vehicle agrees on this, or if at least three in total from all of the vehicles agree to leave, whereupon we'll rearrange seating to allow those people to return to camp or continue on their way. We have, on many occasions, put three or four people into a van to head back to camp for lunch while the die-hards stayed behind, waiting for the cheetah to make its kill or for the wildebeest to cross the Mara river. In most instances, the cheetah killed, and the wildebeest crossed, right after the other van left!
To be honest, I think photographers would get the most out of this trip. Non-photographers might feel frustrated in not being able to produce images that others can; but that thought alone may be motivation for you to buy a telephoto lens and camera before doing the trip. I'd recommend doing so. Artists can benefit from our type of safari as well. If we're waiting for cheetahs to hunt, or for lions to resume mating, there's usually time to do field sketches or character studies. However, if you are an artist, don't be upset if your vehicle moves while you're still drawing! This is, FIRST AND FOREMOST, a photography trip, and the photographers have the final say.
However, the trip is exclusive in a number of special ways. We were the first to offer safaris that are limited to only three photographers per nine-passenger landrover. Our safaris are unique in some important ways, too. We do not assign people to one 'rover for the entire trip. Instead, we rotate everyone through our four vehicles so that everyone has a chance to shoot with each other (avoiding trip-damaging cliques) and to shoot with both Mary and me.
Our rotation system gives everyone equal time with Mary and with me, and as we 'captain' our respective vans you can be assured that we'll do our best to put you in the best shooting situation as we read the light, determine animal behavior, or just simply look after you for the shots you're seeking but have not yet achieved. Make no mistake: Mary and I are here to work. I joke that when you're with me you'll get the best photos, and Mary says the same thing. The point is, we're not going through the motions here. We're out to make the best photographs we can, and you'll get those same images when you're with us. That's not to say that when you're not with us you won't do well -- this isn't a zoo, and you might see something we don't, but what we are saying is we're always trying to make the best images for our clients and for ourselves.
Consider this, too. Mary and I have seen dozens of cheetah kills, and scores of wildebeest river crossings. In truth, we probably have our best river crossing shots already in file. But YOU DON'T, and we realize this, and that's why we urge you to be patient, to wait, and to see the wonderful things that we have, in fact, already seen. But we also know that each kill is different, each river crossing is different, and that any event in nature has the absolute potential of unfolding into the greatest spectacle we've ever seen. So, remember, when you are in our care, we are looking out for you, we're trying to get you the best shots possible, and we are willing to put in the time for these events to occur. You should be, too.
Are you willing to eat a modest picnic breakfast afield rather than return to camp for a big cooked breakfast? If you answer this question with a Yes, then this trip will be for you and you'll fit in with the type of gung-ho photographer we attract. Are you willing to eat the leftovers from breakfast, or your 'emergency' Granola bars, for lunch instead of returning to camp to eat a cooked lunch if the shooting requires this? On an average we generally miss ONE lunch because of a hunting cheetah. On an average 3 of 4 vehicles stay and wait. 1 out of 4 vehicles generally leaves, sometimes composed of impatient folks scattered through the four vehicles.
Regarding breakfasts, we always eat a picnic breakfast in the Masai Mara. It doesn't make sense to return from the field while the light is still great just to eat. Instead, whenever we have a lull in activity, we park our vans and grab breakfast then. As stated above, normally we do not stay out all day, although if something is very good, or promising, we will. That means that sometimes we'll miss lunch (or we'll come in for a very late lunch), and for that reason we advise people to pack candy or granola bars for a quick snack. We usually do return for lunch, however, since at high noon the light is high and extremely contrasty and almost all animal activity ceases in the hottest hours. However, if you're concerned about eating the meals you paid for, and of sleeping in when you wish, then I don't think our trips will be for you. With us, photography comes first. Especially with the heat of Samburu, we're usually in by 11:30AM, although on cloudy days, or when there was extraordinary action, we've come in closer to 1PM.
Our ten person safari with three per nine passenger vehicle is radically different from the typical 15-20 person safari crammed with five to nine passengers to a van or a tour 'limited' to twenty or more people. For that reason this safari is naturally more expensive, but in reality it's not that much more. Please, just ask yourself what your objective is: Is it to see Kenya and to take snapshots, or to be on a special photo safari designed to provide the best shooting opportunities possible. If your answer is the latter, then this safari is for you.
What You Can Expect from Us
If you've been to Kenya before you know the answer to that! If not, you can expect the best, most exciting wildlife photography possible on this planet. I liken Kenya to doing a shoot combining the best of three great US destinations -- Denali, Yellowstone, and the Everglades, for there are large mammals, birds, and scenics, all possible in one locale the size of Texas, and we'll be concentrating on one very small portion of that area.
We will prepare you photographically. I've written a shooting guide to Kenya that you can use as a handbook or reference when considering composition and exposure for most of your shooting subjects. Prior to the trip we'll provide you with our own recommendations on the gear to bring and, on safari, we'll provide thorough briefings on the subjects we expect to film and how to do so. We have a video as well, that describes the camps, the food, the shooting arrangements with the vehicles, and also provides important information on the natural history of most of the subjects you'll see, as well as our photographic tips for these subjects. You can order the video directly from our office.
Finally, in the field you'll be with either Mary or myself on an average of two out of every three game drives. As I mentioned earlier, we'll do our best to get you the best shots possible, and we'll be able to provide you with our suggestions on composition and exposure and, perhaps most importantly, on what we expect to happen and where we should be. Knowing animal behavior is a real plus, if not a key to successful wildlife shooting, and our experience, and that of our fantastic Kenyan driver/guides, will insure we have the best chance at obtaining great images.
Hopefully, too, you can expect great images of:
The Leopard: Leopards are elusive, solitary creatures. Surprisingly common, they are difficult to see, well-camouflaged, shy, and retiring. They are the trophy of any safari, and the hardest cat to film. I've never missed with leopard, in FIFTY trips, but I'm always worried, and we work hard to get this cat!
The Cheetah: Spotted, elegant, and surprisingly tame, this cat of the open grasslands is the easiest to film, once encountered. We'll spend approximately half the trip in the best locale in Kenya (the Masai Mara) for cheetahs, and we'll have an excellent chance of filming this, the fastest land animal in the world. Filming it hunting, however, will require luck and patience, although we should have the opportunity to do exactly that. Hunting cheetahs require patience, and this is the day we often miss lunch.
The Lion: The king of beasts appears to be anything but as it sleeps beneath an acacia. Stare into a male's eyes, or watch one snarl, or half-rise as if to charge, and you'll quickly understand how and why the lion got its title. Lions are easy to see, and in the Mara they can be surprisingly common. Photographing lions in action, however, is quite different from the sleepy views most tourists see. We'll be out early to catch any dawn hunts, and staying with a pride if hunting activity looks promising.
Rhinos: The only chance for this endangered species is in the Mara, and at two of our lodges we'll be in prime rhino country. We're usually very successful!
Elephants: The Masai Mara has very healthy elephant populations. In the Mara, elephants are common and easy to find; and make for wonderful, animated subjects.
Lesser Predators and the Herbivores: Typically, we also have great luck with hyenas, black-backed jackals, side-striped jackals, serval cats, and bat-eared foxes. We usually photograph two different primates - olive baboons and vervet monkeys and virtually all the herbivores - elephants, buffalo, zebras, antelope, hippos, warthog, etc. We typically have luck with some of the less common species, too, like steinbok, oribi, and klipspringer, but these, among the antelopes, are the real trophies and are not a 'given.'
Why we have such great success...
We'll have a wide variety of animals and birds available at our three destinations. With radios in each of the vehicles our groups can game drive independently, but can meet whenever a great subject is seen. Unlike many other tours our vehicles often game drive separately, fanning out to cover the largest area possible. In this way, when one of our vehicles spots a leopard, or cheetah, or baby elephant, or similarly great subject, everyone has the opportunity to photograph that subject, too.
We are also the only safari operators who rotate our participants in a fair basis throughout all the vehicles so that you see and work with all the driver/guides, the other participants, and with Mary and I. Our rotation -- done for both morning and afternoon game drives -- insures that you see Mary and I an equal number of times (we feel that you will get your best shots when you are with us, an ego thing, sure, but we know what we're doing!), an equal number of times with the various driver/guides, and as diverse a rotation as can be accomplished in being with the other participants on the trip. In this way our groups become tightly knit into one big happy family, and, if there is a possible 'lemon' in our midst, no one is stuck or assigned to that group for the entire trip!
What's Included
The photo safari price is based on land costs from Nairobi and includes all accommodations (double occupancy), all meals except lunch in Nairobi, park entrance fees, and ground transportation, including our exclusive three photographers per van safari vehicles. A single rooming supplement is available at an additional cost.
Surcharge for fewer than 10 Participants
Our safari price is based upon 10 photography participants, filling the vehicles with three photographers per vehicle. While there is a surcharge if the trip doesn't fill, there is a tremendous advantage for YOU, the participant, as there will only be two photographers in these vehicles. You'll still have the benefits of our expertise when you rotate into our vehicle, but on game drives that you're not with Mary or me you have a good chance of having almost a private vehicle!
Our lodging varies from permanent tented camps to normal tourist lodges. Tented camps are permanent structures, more like a hotel room under canvas, with flush toilet, running water, and shower inside each tent. Excellent cooks prepare food and most meals have a European/British influence. You won't be eating fresh killed zebra or eggs over a campfire! Drinks are not included, but they are inexpensive.
The price does not include the driver/guide's tip, which is usually about $225/person. That, by the way, is a very good tip, and I know that we provide our guides with one of the very best tips they receive each year. But consider this: Many safaris cram six to nine people in one van, and in tipping small amounts, end up nearly equaling our tip. Far more importantly, however, is the fact that our driver/guides are the best, experts at animal behavior and, from working with me for years, quite adept at putting us into the best spots for great pictures. I use the same guides each year and they know how I work and what's expected of them. They're good, and I like to reward them for their efforts.
My Objective
You should return with the best photographs of wildlife you've ever taken. This doesn't come easily; it requires early starts, patience, and a degree of luck. I believe any photographer traveling to Kenya wants this, and that they're more interested in filming game than they are in lounging at a pool or in having a leisurely cooked breakfast during the best shooting time of the day!
Our field days (excepting travel) start before dawn so that we can greet the sunrise with our lenses. We'll have modest boxed picnic breakfasts on most field days, since this saves time and allows us to travel anywhere without having to worry about returning for a breakfast. Lunches and dinners are at camp, and, with the quantity of food available, I doubt if you'll miss the cooked breakfast. We may, however, occasionally miss lunch if a subject is so good that to leave it would be silly. That doesn't happen often, and if we decide to do so, we do it by group consensus. I'll tell you, when the vote comes up, when such a situation arises, people always look at me as if I'm crazy for even asking them if they wish to leave! Nonetheless, if at least three people (from x number of vans) wish to leave at any time, they are welcome to do so. We will not do so for only two, however. Our rule is three photographers per van, so three is the magic number.
We will stay with a subject as long as it's necessary to get great photos, provided the goal is realistic. Some animals require only a minute of work for a great snap-shot like opportunity that still provides a great image. Others require work, and we've stayed with hunting cheetahs, cheetahs with cubs, lions and leopards with kills or hunting, mating leopards, hunting wild dogs, or wildebeest bunching up at a river for a crossing, for hours (or for an entire day). Don't be afraid that by doing this you'll miss other shots. I've done enough of these (this will be my 20th year of doing Kenya safaris) that I know what's good, what's worth our time, and where our priorities should lie in giving you not only unique, wonderful images, but also full coverage of everything you wanted to film. You will amass a wonderful portfolio of all your Kenyan wildlife, but you won't be producing traditional boring tourist shots. We'll try to get you great images -- magic material! Although we won't be consciously amassing a species list, you'll undoubtedly see as many, if not even more, species of wildlife by doing it this way than you would by being a 'tourist,' since we'll be in the field longer, looking, watching, and filming.
Our Roles as Leaders, and Your Role
Mary and I know Kenya, its wildlife, and how to photograph it. I want everyone to obtain great photographs, and to enjoy himself or herself while doing so. Great photography requires patience, luck, and time, plus a degree of skill that my drivers/guides and Mary and I can provide. You can trust us that everything we do as your trip leaders will have those priorities - your photos and well-being as an individual in our group -- in mind.
Don't expect me to compromise the group for you, whether that's for tardiness, forgetfulness, or otherwise. We won't. We're upfront about our time, field breakfasts, tenacity and seriousness, and we want our people to know this. If you join us, that's what you're getting into. I think some people join a group and expect it to conform to their individual demands. We won't do that. If you like to travel privately, or to 'run the show,' or to make selfish demands, we'd suggest you go alone.
Frankly, about 1 out of about every 30 people objects to our schedule. Although we're completely upfront with our objectives and those for our group, some people lack patience. Unfortunately, rather than sitting out a game drive if they're tired, or leaving and going for 'something else,' they stay, because we are staying, yet they resent doing so. We urge people to leave if they so choose, but our role, as guides, is to guide you, and to hang in there with us if we feel it is worth it. Honestly, if you're not serious about photographing or you know that you're not patient, please don't travel with us!
Foreign travel is exciting, but it can be exhausting for some. You very well may need to sit out a game drive and relax one day, and if you feel this way, please do so. We press fairly hard, but we do so because we know that many in the group have high-energy reserves, limited budgets, and inexhaustible enthusiasm, and these folks want as much out of the experience as they can get. We aim to deliver that. Rest if you need to, and wish those that don't the best of luck as they do the game drive you missed. By the way, if you feel you must miss a drive, skip the afternoon drive. Morning drives are usually, but not always, the most productive. By the way, we usually have one person/per safari miss one game drive to rest.
About Your Leaders
My wife Mary Ann and I strive to provide the most comfortable and thorough safari you will experience. Both Mary and I are photographers, and I'd hope you've seen our credits. These included Audubon, National Geographic, National Wildlife, Ranger Rick, Natural History, Living Bird, Birder's World, Wildlife Conservation, and most nature/wildlife calendars.
In 1994 Mary Ann won two first place awards in the prestigious BBC Wildlife Photographer of the Year competition, in Endangered Species and in Bird Behavior. In 1998 she had three highly commended images published in the BBC competition, ALL THREE from Kenya! She won first place in the Cemex/Nature's Best photo contest in the Humor Division for Professional Photographers. In 2003 she won first place in Mammal Behavior in the Agfa All Africa photo competition with a dust bathing bull elephant from Samburu. Mary has written a number of children's books, including Leopards, Grizzly Bears, Woodpeckers, Flying Squirrels, Sunflowers, Cobras, Jupiter, Boas, Garter Snakes, Pythons, Rattlesnakes, Ducks, Chickens, Horses, and Cows, and a coffee table book, Out of the Past, Amish Tradition and Faith.
I've written several how-to wildlife photography books -- A Practical Guide to Photographing American Wildlife, The Wildlife Photographer's Field Manual, The Complete Guide to Wildlife Photography, Designing Wildlife Photographs, Photographing on Safari, A Field Guide to Photographing in East Africa, and The New Complete Guide to Wildlife Photography. In 1999 Todtri published African Wildlife, and in 1999 we produced our first instructional video, A Video Guide to Photographing on Safari with Joe and Mary Ann McDonald. The video has received rave reviews, and it is the definitive guide for preparing yourself for a safari. I've won several times for highly commended images in both the Cemex/Nature's Best and the Agfa all Africa photo competitions. In 2003 I won 2nd place in the World in Our Hands category in the BBC competition with an image from Africa.
Mary and I were featured in the book, the World's Best Wildlife Photographers, and we write regularly appearing columns in Outdoor Photographer magazine and in several web magazines. Our latest book, Digital Nature Photography, From Capture to Output, is a PDF file that covers EVERYTHING you need to know about digital nature photography, including workflow, file management, RAW conversion, and maximizing the digital image. It is available directly through our office.
For some real insight into all aspects of a photo safari,
order our DVD Photographing on Safari
which covers and illustrates various camps,
how to shoot from the vehicles, what to pack,
and most importantly, what you'll photograph
and how you'll do so.
Scroll through a Kenya Portfolio
Contact us by e-mail. at: info@hoothollow.com
Or Call or FAX us at: (717) 543-6423
The Mara Lion Hunt
in the Masai Mara,
KENYA!
in the Masai Mara, KENYA!
January Photo Safaris
A Very Special Safari with the focus
on Predation and, hopefully, Lions hunting Buffaloes
!
January Photo Safaris
A Very Special Safari with the focus
on Predation and, hopefully, Lions hunting Buffaloes
!
PRICES:
Safaris- - $TBA
DATE - January 2018
Exact dates to be announced
PRICES:
Safaris- - $TBA
DATE - January 2018
Exact dates to be announced
PLEASE NOTE - Prices listed our based upon 10 participants.
There will be a small surcharge has fewer than 10 participants.
See below (What's Included) for the rationale and advantages.
If you're interested in one of our safaris, contact our office ASAP!
We are offering trips based on the land cost only.
We've done this to allow our participants to either utilize air miles,
or to amass air miles with their favorite airline. Our travel agent can also book flight arrangements for you.
Simply inquire at our office for further details.
Please Note!
This is the complete brochure. It is lengthy and comprehensive, and will take a few minutes to read.
For even more information, please read any of our TRIP REPORTS which detail, day-by-day, the safaris
from that year. This will give you an excellent idea of what our trips are all about, what we see,
and perhaps most importantly, how successful these trips are!
Kenya Photo Safari Trip Reports
Click here if you'd like to
order our Photographing on Safari video, to General photo safaris information.
The cost for the special trip to the Mara is USD $TBA with a single supplement of USD $TBA
Please note that this price is based on 10+ participants. If we get less than 10 people, there will be a surcharge of USD $700. Thank you for your understanding on this business matter.
With the main migratory herds in the southern part of the Serengeti, the predators of the Mara have a little tougher time. Instead of photographing lions on their backs with full bellies, we hope to photograph them actively hunting. If you’ll remember from our adventures many years ago, it was at this time of the year when we photographed the Magnificent Seven (a coalition of 7 male lions) killing a bull buffalo. It was dramatic and quite a few rolls of film were shot in a 30-minute time frame. We hope to accomplish something like that again this time, but this time we’ll be shooting digital!!!!
But don’t worry, just as we do on our fall photo safaris, we will photograph everything that comes along so you will end up with a fairly complete portfolio of African mammals and birds.
My wife, Mary Ann, and I have been leading Photo Safaris to Kenya for over twenty years, and to many other locations in Africa during that time span. We were the first to institute using radios for vehicle-to-vehicle communication, the first to restrict vehicles to just three photographers per vehicle, and the first to fine-tune an itinerary that is copied by most photo safari. More importantly, WE KNOW AFRICA, we know how to photograph it, what to look for, and how to get the best a situation has to offer, both for ourselves and, most importantly, for the participants that travel with us.
If you look at any of the Trip Reports listed on our Trip and Scouting Report page or at the links provided earlier in this brochure, you'll get a great idea of the type of trips we do. I cannot stress enough how important experience is when leading a photo safari. We know what to look for, what to listen for, and what to expect, and this translates into imagery that is not simply a matter of luck -- though luck plays an important role, and one can make one's own luck. The topics addressed below should answer virtually all of your questions, and I hope you'll take the time to read them.
And, although this is addressed later on in this brochure, I'd like to stress again here that our trips are not for everyone. They are not 'tourist safaris' where the goal is to simply have you check off the different animals. We invest quality time with our subjects, and although we might spend hours with some subjects, when the potential warrants it, our participants still end up seeing everything, but seeing many things with absolute quality. The Trip Reports cited will prove those points.
I do not believe anyone can offer you a better safari. We know Africa, we know how to make a safari run smoothly, and we know the wildlife. If you are interested in obtaining quality photographs, in seeing wildlife in-depth, in watching behavior, and witnessing truly once-in-a-lifetime wildlife opportunities, then our safaris are for you.
Why January?
In a typical year, sometime in June the massive herds of gnus and zebras stream in from the Serengeti, and for the next several months the living is high for the Mara's predators. Most mornings, from June to November, one has a great likelihood of finding a pride of lions dining upon a zebra or gnu killed in the predawn hours. Finding a cat actually hunting is far more difficult, as prey is simply too common and too easy to kill at night for most lions to be hunting during the day. It happens, of course, and we've seen many kills, but it is far more common to simply see lions feeding.
In January and February, however, the situation changes dramatically as the vast herds of gnus and zebras have returned to the Serengeti where the herbivores breed. The Mara's lions do not migrate with the herds, however, and the resident lions and their prides, occupying permanent territores, are forced to hunt for whatever prey remains, whenever it appears.
Consequently, lions hunt at any time of day and hunt virtually anything that comes by. One of their principle prey items at this time is the African Buffalo, or Cape Buffalo, which remain in the Mara after the herds depart. Our hope is to witness a lion/buffalo hunt and kill, but even if we miss that we should see plenty of activity and hunts, whether they are successful or not!
The other predators are present as well, including cheetahs, leopards, and hungy, aggressive Spotted Hyenas that also maintain their permanent territories and must hunt, or fight over prey, whenever the opportunity arises. Although the large herds of gnus and zebras should be absent, all of the other Masai Mara animals should be present, so we should have a diverse and productive shoot with the tantalizing prospect of filming incredible action with the predators.
Some Highlights:
Predatory Action in the Mara - We are hoping to encounter lions actively hunting, and their prey could include African buffalo, Masai giraffe, topi, warthogs, and even a young elephant. If we're patient, and our groups usually are, we'll have a great chance of seeing a cheetah hunt and kill. While we should see leopards, encountering one while it is hunting is rare, and even though the herds will be gone this consummate predator will have no trouble catching its usual prey.
Baby Predators in the Mara - We usually get lion cubs and cheetah cubs. Let's hope.
The Usual Stars - of course, we'll also be photographing all the mammals we normally encounter, which include leopards, cheetahs, elephants, hyenas, the hoofed animals, and the birds in the Mara.
The Masai Mara is considered part of the famous Serengeti ecosystem, but differs in offering a variety of habitats. Within a morning's game drive one can film short grass high country, tall grass prairie, riverine forests and thickets, and acacia thorn scrubland. Elephants, hippos, Masai giraffe, common zebra, gnu, impala, Thompson's and Grant's gazelles, topi, hartebeest, hyrax, black-backed jackal, spotted hyena, cheetah, leopard, and lion are permanent, and fairly common, residents within the park. There's also several less common species of antelope, including reedbuck, bushbuck, steinbuck, oribi, and duiker, that we normally encounter.
The very endangered black rhino has made its last stand in the Mara here. We've had luck on many of our trips finding rhinos with calves, and we'll hope to do so again this year. Additionally, serval (a small spotted cat) are most easily found here, and in the scattered acacia trees leopards hang their carcasses out of reach of the many lions. Consequently, it's easiest to find tree-climbing leopards here.
The Mara, however, is diverse, and it is impossible to do the Park justice by basing out of only one lodge. To cover the park thoroughly we'll be based out of three different lodges. In the extreme south we'll stay at Keekorok, covering the area from the Talek and Sekanani gates southward to the border of Tanzania and the Serengeti National Park. We'll stay at Mara Serena Lodge, covering the Mara Triangle and southwestern corner; and in the northern section we'll stay at Mara Intrepids, covering the area from the Musiara Marsh to the Talek River including Rhino Ridge and Paradise Plains.
Located in the heart of the Mara-Serengeti ecosystem, Keekorok is the oldest lodge in the park. You get the sense of staying in one of the vintage hunting lodges while sipping your cocktail before dinner. The very endangered black rhino has made its last stand in the Mara here and we have a great chance of photographing one amidst the croton bush thickets. In the absence of Maasai persecution, the lions and hyenas are active during the day.
Mara Serena is probably the most beautiful lodge in the Mara, overlooking the Paradise Plains and a large stretch of the Mara River. From the lodge one can usually see a variety of the plain's game, and the lodge may be the premiere location for filming bush hyrax in all of Kenya. These small, marmot-sized mammals are tame, beg for food, bite - if you try petting them or feeding them, and even hops on to your lap (not recommended!). Additionally, serval (a small spotted cat) is most easily found here. The prime crossing points for wildebeest are within a short drive of the lodge, and we've often been delayed for lunch when a herd suddenly gathered along the river to cross.
Mara Intrepids, located along the Talek River just south of Rhino Ridge, has become our favorite camp of choice. The five-mile stretch of river just north of the lodge is abundant with leopard. There is a pride of lion just out of camp that are dominated by three of the most beautiful black-maned lions that we have ever seen. Princess, the famous cheetah from the BBC Big Cat Diary Series, makes her home in this area. This is the cheetah that loves to jump up on vehicles to lie for a spell or to use the higher vantage point in which to hunt from. The camp is surrounded by an electrical fence, which helps to keep out the wild neighbors. But there is nothing like lying in your tent at night and listening to the roar of a lion or the whoop of a hyena or the rumble of a fight between the two predators. That is the true Africa!
This safari is really for anyone who is serious, either about wildlife and nature photography, or about in-depth, intense, and patient animal viewing. The two, for a photographer, are the same, for patience, time, and luck are required in order to obtain great wildlife images. Please read the following section carefully. While almost everyone who travels with us are like-minded, there are, on occasion, one or two people who are not. This is not a safari for tourists. This is a safari for photographers - serious amateurs or photo enthusiasts or pros, and for those who really want to do a safari right.
Actually, it probably really doesn't matter to us if you bring a camera or not, or if you do not have long telephoto lenses or professional gear along. That is, provided you are patient, willing to wait, and, above all, considerate to those photographers who do have gear that requires a rock-steady van when they're about to shoot. Patience, to a wildlife photographer, is NOT a relative term. Patience may not be a five-minute wait. It may mean waiting an hour before a cheetah and her cubs decide to move from a croton thicket, or before a den full of hyena cubs wake up and begin to play. We have literally waited for four or five hours for a wildebeest river crossing, and in 1999 all four of our vans stayed, parked in one position, all day -- from 7AM to 4PM -- to watch Zawadi (the famous Mara leopard) and her two cubs (her first) play, nurse, and walk about us. Photographers, avid naturalists, artists, and others who are serious about wildlife have no problem with this. You might.
We want to make this clear. Great shots often require patience. If you simply want to see animals, click off a few pictures, and move on to another subject, then our safari is not for you. You might worry that 'spending time' waiting is wasteful, and that your time would be better spent roaming and looking for new subjects. Let me assure you that in the course of a two-week trip you will indeed see everything, but some subjects, that require waiting, will reward you with extraordinary images for your patience. In other words, you'll see everything the normal tourist sees (or the impatient photographer), but you'll also see, with quality, other subjects, events, or activities that most simply do not see because they do not have the patience to wait. We do.
For example, even our extremely experienced Kenya safari driver/guides have seen things with us that they have never seen before - and these are guides who, collectively, have over forty years driving experience. This has included such experiences as a zebra stallion killing a foal; a zebra giving birth; lions killing a bull buffalo; elephants, en masse, wrestling in the river; a leopard killing a wildebeest, or a warthog; ostriches hatching from eggs; lions pulling a warthog from its den; and much, much more. Why? I asked our drives this, and they said, 'because your groups stay and watch. Most groups do not, and only spend enough time to make some pictures.' They miss these unique events, and so, obviously, had the drivers.
That said, we try not to be tyrants about this. We realize everyone has their own patience and frustration level, and perhaps their own desire to shoot particular subjects. One of the values of traveling with us is we can guide you, by stating our belief whether we feel something is worth waiting for, or not. Our rule is this: If you don't wish to stay, you can leave, provided everyone in your vehicle agrees on this, or if at least three in total from all of the vehicles agree to leave, whereupon we'll rearrange seating to allow those people to return to camp or continue on their way. We have, on many occasions, put three or four people into a van to head back to camp for lunch while the die-hards stayed behind, waiting for the cheetah to make its kill or for the wildebeest to cross the Mara river. In most instances, the cheetah killed, and the wildebeest crossed, right after the other van left!
To be honest, I think photographers would get the most out of this trip. Non-photographers might feel frustrated in not being able to produce images that others can; but that thought alone may be motivation for you to buy a telephoto lens and camera before doing the trip. I'd recommend doing so. Artists can benefit from our type of safari as well. If we're waiting for cheetahs to hunt, or for lions to resume mating, there's usually time to do field sketches or character studies. However, if you are an artist, don't be upset if your vehicle moves while you're still drawing! This is, FIRST AND FOREMOST, a photography trip, and the photographers have the final say.
However, the trip is exclusive in a number of special ways. We were the first to offer safaris that are limited to only three photographers per nine-passenger landrover. Our safaris are unique in some important ways, too. We do not assign people to one 'rover for the entire trip. Instead, we rotate everyone through our four vehicles so that everyone has a chance to shoot with each other (avoiding trip-damaging cliques) and to shoot with both Mary and me.
Our rotation system gives everyone equal time with Mary and with me, and as we 'captain' our respective vans you can be assured that we'll do our best to put you in the best shooting situation as we read the light, determine animal behavior, or just simply look after you for the shots you're seeking but have not yet achieved. Make no mistake: Mary and I are here to work. I joke that when you're with me you'll get the best photos, and Mary says the same thing. The point is, we're not going through the motions here. We're out to make the best photographs we can, and you'll get those same images when you're with us. That's not to say that when you're not with us you won't do well -- this isn't a zoo, and you might see something we don't, but what we are saying is we're always trying to make the best images for our clients and for ourselves.
Consider this, too. Mary and I have seen dozens of cheetah kills, and scores of wildebeest river crossings. In truth, we probably have our best river crossing shots already in file. But YOU DON'T, and we realize this, and that's why we urge you to be patient, to wait, and to see the wonderful things that we have, in fact, already seen. But we also know that each kill is different, each river crossing is different, and that any event in nature has the absolute potential of unfolding into the greatest spectacle we've ever seen. So, remember, when you are in our care, we are looking out for you, we're trying to get you the best shots possible, and we are willing to put in the time for these events to occur. You should be, too.
Are you willing to eat a modest picnic breakfast afield rather than return to camp for a big cooked breakfast? If you answer this question with a Yes, then this trip will be for you and you'll fit in with the type of gung-ho photographer we attract. Are you willing to eat the leftovers from breakfast, or your 'emergency' Granola bars, for lunch instead of returning to camp to eat a cooked lunch if the shooting requires this? On an average we generally miss ONE lunch because of a hunting cheetah. On an average 3 of 4 vehicles stay and wait. 1 out of 4 vehicles generally leaves, sometimes composed of impatient folks scattered through the four vehicles.
Regarding breakfasts, we always eat a picnic breakfast in the Masai Mara. It doesn't make sense to return from the field while the light is still great just to eat. Instead, whenever we have a lull in activity, we park our vans and grab breakfast then. As stated above, normally we do not stay out all day, although if something is very good, or promising, we will. That means that sometimes we'll miss lunch (or we'll come in for a very late lunch), and for that reason we advise people to pack candy or granola bars for a quick snack. We usually do return for lunch, however, since at high noon the light is high and extremely contrasty and almost all animal activity ceases in the hottest hours. However, if you're concerned about eating the meals you paid for, and of sleeping in when you wish, then I don't think our trips will be for you. With us, photography comes first. Especially with the heat of Samburu, we're usually in by 11:30AM, although on cloudy days, or when there was extraordinary action, we've come in closer to 1PM.
Our ten person safari with three per nine passenger vehicle is radically different from the typical 15-20 person safari crammed with five to nine passengers to a van or a tour 'limited' to twenty or more people. For that reason this safari is naturally more expensive, but in reality it's not that much more. Please, just ask yourself what your objective is: Is it to see Kenya and to take snapshots, or to be on a special photo safari designed to provide the best shooting opportunities possible. If your answer is the latter, then this safari is for you.
If you've been to Kenya before you know the answer to that! If not, you can expect the best, most exciting wildlife photography possible on this planet. I liken Kenya to doing a shoot combining the best of three great US destinations -- Denali, Yellowstone, and the Everglades, for there are large mammals, birds, and scenics, all possible in one locale the size of Texas, and we'll be concentrating on one very small portion of that area.
We will prepare you photographically. I've written a shooting guide to Kenya that you can use as a handbook or reference when considering composition and exposure for most of your shooting subjects. Prior to the trip we'll provide you with our own recommendations on the gear to bring and, on safari, we'll provide thorough briefings on the subjects we expect to film and how to do so. We have a video as well, that describes the camps, the food, the shooting arrangements with the vehicles, and also provides important information on the natural history of most of the subjects you'll see, as well as our photographic tips for these subjects. You can order the video directly from our office.
Finally, in the field you'll be with either Mary or myself on an average of two out of every three game drives. As I mentioned earlier, we'll do our best to get you the best shots possible, and we'll be able to provide you with our suggestions on composition and exposure and, perhaps most importantly, on what we expect to happen and where we should be. Knowing animal behavior is a real plus, if not a key to successful wildlife shooting, and our experience, and that of our fantastic Kenyan driver/guides, will insure we have the best chance at obtaining great images.
Hopefully, too, you can expect great images of:
The Leopard: Leopards are elusive, solitary creatures. Surprisingly common, they are difficult to see, well-camouflaged, shy, and retiring. They are the trophy of any safari, and the hardest cat to film. I've never missed with leopard, in FIFTY trips, but I'm always worried, and we work hard to get this cat!
The Cheetah: Spotted, elegant, and surprisingly tame, this cat of the open grasslands is the easiest to film, once encountered. We'll spend approximately half the trip in the best locale in Kenya (the Masai Mara) for cheetahs, and we'll have an excellent chance of filming this, the fastest land animal in the world. Filming it hunting, however, will require luck and patience, although we should have the opportunity to do exactly that. Hunting cheetahs require patience, and this is the day we often miss lunch.
The Lion: The king of beasts appears to be anything but as it sleeps beneath an acacia. Stare into a male's eyes, or watch one snarl, or half-rise as if to charge, and you'll quickly understand how and why the lion got its title. Lions are easy to see, and in the Mara they can be surprisingly common. Photographing lions in action, however, is quite different from the sleepy views most tourists see. We'll be out early to catch any dawn hunts, and staying with a pride if hunting activity looks promising.
Rhinos: The only chance for this endangered species is in the Mara, and at two of our lodges we'll be in prime rhino country. We're usually very successful!
Elephants: The Masai Mara has very healthy elephant populations. In the Mara, elephants are common and easy to find; and make for wonderful, animated subjects.
Lesser Predators and the Herbivores: Typically, we also have great luck with hyenas, black-backed jackals, side-striped jackals, serval cats, and bat-eared foxes. We usually photograph two different primates - olive baboons and vervet monkeys and virtually all the herbivores - elephants, buffalo, zebras, antelope, hippos, warthog, etc. We typically have luck with some of the less common species, too, like steinbok, oribi, and klipspringer, but these, among the antelopes, are the real trophies and are not a 'given.'
We'll have a wide variety of animals and birds available at our three destinations. With radios in each of the vehicles our groups can game drive independently, but can meet whenever a great subject is seen. Unlike many other tours our vehicles often game drive separately, fanning out to cover the largest area possible. In this way, when one of our vehicles spots a leopard, or cheetah, or baby elephant, or similarly great subject, everyone has the opportunity to photograph that subject, too.
We are also the only safari operators who rotate our participants in a fair basis throughout all the vehicles so that you see and work with all the driver/guides, the other participants, and with Mary and I. Our rotation -- done for both morning and afternoon game drives -- insures that you see Mary and I an equal number of times (we feel that you will get your best shots when you are with us, an ego thing, sure, but we know what we're doing!), an equal number of times with the various driver/guides, and as diverse a rotation as can be accomplished in being with the other participants on the trip. In this way our groups become tightly knit into one big happy family, and, if there is a possible 'lemon' in our midst, no one is stuck or assigned to that group for the entire trip!
The photo safari price is based on land costs from Nairobi and includes all accommodations (double occupancy), all meals except lunch in Nairobi, park entrance fees, and ground transportation, including our exclusive three photographers per van safari vehicles. A single rooming supplement is available at an additional cost.
Surcharge for fewer than 10 Participants
Our safari price is based upon 10 photography participants, filling the vehicles with three photographers per vehicle. While there is a surcharge if the trip doesn't fill, there is a tremendous advantage for YOU, the participant, as there will only be two photographers in these vehicles. You'll still have the benefits of our expertise when you rotate into our vehicle, but on game drives that you're not with Mary or me you have a good chance of having almost a private vehicle!
Our lodging varies from permanent tented camps to normal tourist lodges. Tented camps are permanent structures, more like a hotel room under canvas, with flush toilet, running water, and shower inside each tent. Excellent cooks prepare food and most meals have a European/British influence. You won't be eating fresh killed zebra or eggs over a campfire! Drinks are not included, but they are inexpensive.
The price does not include the driver/guide's tip, which is usually about $225/person. That, by the way, is a very good tip, and I know that we provide our guides with one of the very best tips they receive each year. But consider this: Many safaris cram six to nine people in one van, and in tipping small amounts, end up nearly equaling our tip. Far more importantly, however, is the fact that our driver/guides are the best, experts at animal behavior and, from working with me for years, quite adept at putting us into the best spots for great pictures. I use the same guides each year and they know how I work and what's expected of them. They're good, and I like to reward them for their efforts.
You should return with the best photographs of wildlife you've ever taken. This doesn't come easily; it requires early starts, patience, and a degree of luck. I believe any photographer traveling to Kenya wants this, and that they're more interested in filming game than they are in lounging at a pool or in having a leisurely cooked breakfast during the best shooting time of the day!
Our field days (excepting travel) start before dawn so that we can greet the sunrise with our lenses. We'll have modest boxed picnic breakfasts on most field days, since this saves time and allows us to travel anywhere without having to worry about returning for a breakfast. Lunches and dinners are at camp, and, with the quantity of food available, I doubt if you'll miss the cooked breakfast. We may, however, occasionally miss lunch if a subject is so good that to leave it would be silly. That doesn't happen often, and if we decide to do so, we do it by group consensus. I'll tell you, when the vote comes up, when such a situation arises, people always look at me as if I'm crazy for even asking them if they wish to leave! Nonetheless, if at least three people (from x number of vans) wish to leave at any time, they are welcome to do so. We will not do so for only two, however. Our rule is three photographers per van, so three is the magic number.
We will stay with a subject as long as it's necessary to get great photos, provided the goal is realistic. Some animals require only a minute of work for a great snap-shot like opportunity that still provides a great image. Others require work, and we've stayed with hunting cheetahs, cheetahs with cubs, lions and leopards with kills or hunting, mating leopards, hunting wild dogs, or wildebeest bunching up at a river for a crossing, for hours (or for an entire day). Don't be afraid that by doing this you'll miss other shots. I've done enough of these (this will be my 20th year of doing Kenya safaris) that I know what's good, what's worth our time, and where our priorities should lie in giving you not only unique, wonderful images, but also full coverage of everything you wanted to film. You will amass a wonderful portfolio of all your Kenyan wildlife, but you won't be producing traditional boring tourist shots. We'll try to get you great images -- magic material! Although we won't be consciously amassing a species list, you'll undoubtedly see as many, if not even more, species of wildlife by doing it this way than you would by being a 'tourist,' since we'll be in the field longer, looking, watching, and filming.
Mary and I know Kenya, its wildlife, and how to photograph it. I want everyone to obtain great photographs, and to enjoy himself or herself while doing so. Great photography requires patience, luck, and time, plus a degree of skill that my drivers/guides and Mary and I can provide. You can trust us that everything we do as your trip leaders will have those priorities - your photos and well-being as an individual in our group -- in mind.
Don't expect me to compromise the group for you, whether that's for tardiness, forgetfulness, or otherwise. We won't. We're upfront about our time, field breakfasts, tenacity and seriousness, and we want our people to know this. If you join us, that's what you're getting into. I think some people join a group and expect it to conform to their individual demands. We won't do that. If you like to travel privately, or to 'run the show,' or to make selfish demands, we'd suggest you go alone.
Frankly, about 1 out of about every 30 people objects to our schedule. Although we're completely upfront with our objectives and those for our group, some people lack patience. Unfortunately, rather than sitting out a game drive if they're tired, or leaving and going for 'something else,' they stay, because we are staying, yet they resent doing so. We urge people to leave if they so choose, but our role, as guides, is to guide you, and to hang in there with us if we feel it is worth it. Honestly, if you're not serious about photographing or you know that you're not patient, please don't travel with us!
Foreign travel is exciting, but it can be exhausting for some. You very well may need to sit out a game drive and relax one day, and if you feel this way, please do so. We press fairly hard, but we do so because we know that many in the group have high-energy reserves, limited budgets, and inexhaustible enthusiasm, and these folks want as much out of the experience as they can get. We aim to deliver that. Rest if you need to, and wish those that don't the best of luck as they do the game drive you missed. By the way, if you feel you must miss a drive, skip the afternoon drive. Morning drives are usually, but not always, the most productive. By the way, we usually have one person/per safari miss one game drive to rest.
My wife Mary Ann and I strive to provide the most comfortable and thorough safari you will experience. Both Mary and I are photographers, and I'd hope you've seen our credits. These included Audubon, National Geographic, National Wildlife, Ranger Rick, Natural History, Living Bird, Birder's World, Wildlife Conservation, and most nature/wildlife calendars.
In 1994 Mary Ann won two first place awards in the prestigious BBC Wildlife Photographer of the Year competition, in Endangered Species and in Bird Behavior. In 1998 she had three highly commended images published in the BBC competition, ALL THREE from Kenya! She won first place in the Cemex/Nature's Best photo contest in the Humor Division for Professional Photographers. In 2003 she won first place in Mammal Behavior in the Agfa All Africa photo competition with a dust bathing bull elephant from Samburu. Mary has written a number of children's books, including Leopards, Grizzly Bears, Woodpeckers, Flying Squirrels, Sunflowers, Cobras, Jupiter, Boas, Garter Snakes, Pythons, Rattlesnakes, Ducks, Chickens, Horses, and Cows, and a coffee table book, Out of the Past, Amish Tradition and Faith.
I've written several how-to wildlife photography books -- A Practical Guide to Photographing American Wildlife, The Wildlife Photographer's Field Manual, The Complete Guide to Wildlife Photography, Designing Wildlife Photographs, Photographing on Safari, A Field Guide to Photographing in East Africa, and The New Complete Guide to Wildlife Photography. In 1999 Todtri published African Wildlife, and in 1999 we produced our first instructional video, A Video Guide to Photographing on Safari with Joe and Mary Ann McDonald. The video has received rave reviews, and it is the definitive guide for preparing yourself for a safari. I've won several times for highly commended images in both the Cemex/Nature's Best and the Agfa all Africa photo competitions. In 2003 I won 2nd place in the World in Our Hands category in the BBC competition with an image from Africa.
Mary and I were featured in the book, the World's Best Wildlife Photographers, and we write regularly appearing columns in Outdoor Photographer magazine and in several web magazines. Our latest book, Digital Nature Photography, From Capture to Output, is a PDF file that covers EVERYTHING you need to know about digital nature photography, including workflow, file management, RAW conversion, and maximizing the digital image. It is available directly through our office.
For some real insight into all aspects of a photo safari,
order our DVD Photographing on Safari
which covers and illustrates various camps,
how to shoot from the vehicles, what to pack,
and most importantly, what you'll photograph
and how you'll do so.
Scroll through a Kenya Portfolio
Contact us by e-mail. at: info@hoothollow.com
Or Call or FAX us at: (717) 543-6423
